Nobuhiko Obayashi
Japan
1977
How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet.
Hajime Sato
Japan
1968
After an airplane is forced to crash-land in a remote area, its passengers find themselves face-to-face with an alien force that wants to possess them body and soul—and perhaps take over the entire human race. Filled with creatively repulsive effects—including a very invasive bloblike life-form—Hajime Sato’s Goke, Body Snatcher from Hell is a pulpy, apocalyptic gross-out.
This event is part of our monthly film screening series, See/Saw, an ongoing program of experimental, avant-garde, indie, arthouse, and outsider films. Seating is limited. $10 in advance or at the door. $5 for students and members. Films start at 7:30pm.
