Pedestrian Values
Cassie Paine

May 10–June 15, 2024

Pedestrian Values reflects on economic shifts, labour patterns, and development in post-industrial urban cities. Using metal fabrication casting, and interventionist tactics to alter coded materials and infrastructure found in public space, these installations reveal underlying power structures in urban environments, critiquing capitalist value systems focused on profit and development, exposing how these ideals are built into our everyday environment.

The recurring banknote pattern from the board game, Monopoly, serves as an explicit critique of capital’s control over spatial relations. It carries through the exhibition, adorning a traffic barrel, cast coins scattered across the floor of the gallery, and a construction privacy mesh.

Opening Reception: May 10, 7–10pm
Coin Carving Workshop: May 19, 2–5pm

Cassie Paine is a sculpture/installation artist and printmaker based in Windsor, ON and Montreal, QC. Her work reflects on the economic precarity of post-industrial cities; investigating urban planning strategies, systems in place to control automotive and pedestrian traffic, and distinctions between public and private places. Paine recently completed her MFA at Concordia University (2024) and holds a BFA with distinction from OCAD University (2018). In addition to making, Paine is a passionate educator who has worked as an instructor at Concordia University and Atelier La Coulée, a cooperative supporting metal art, welding and casting in Montreal, QC.

cassiepaine.com
@cassiepaineart


Images:
1. The Excavator Bucket Gestures an Authoritative Wave, 2024, exhibition documentation/installation view. Photo credit: OK Pederson.
2. Untitled (Privacy Mesh 2), 2023-2024, screen-print on privacy mesh, cast bronze, rope. Photo credit: OK Pederson.
3. Untitled (Left Hand Pushing Bench Foot), 2023-2024, bronze. Photo credit: OK Pederson.
4. Untitled (Bench Foot), 2023-2024, bronze. Photo credit: OK Pederson.
5. Where The River Bends, 2023-2024, construction fence. Photo credit: Brandon Dalmer.