Vestiges and Remains
March 11th - April 23rd, 2022
This project was made possible with the generous support of the WindsorEssex Community Foundation.
Vestiges and Remains works with archival matter at Artcite Inc., to engage community memory and the hauntings of labour, to expand the narratives and traces within the wide pools of knowledge invited by communities and temporalities. Vestiges and Remains convergence of archives, parafiction and invitational programming, allows audiences to bring their own memories, histories and conversations into Artcite’s gallery and archives.
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Morris Fox
Morris Fox is a queer artist and new gothicc writer. His work tongues & cruises the haunted house for feelings of Elysium. Words are a net—anything that serves to catch or ensnare—are a necropolis, a dead person city, a cemetery of desire. He remains in "Canada" and online.
Morris Fox (he/him) is a Canadian artist, writer and educator, born in Tkaronto (1984). He graduated from the Low Residency MFA program at SAIC in 2018. Fox’s work manifests primarily in performance, textiles, video and writing. His influences include Stephen Andrews, Joyelle Mcsweeney, Skawennati, Peter Carpenter. Recently Fox performed in VR as a bat for Claudia Hart’s Ludicity (Hyphen Hubs, Mozilla Hubs 2021), created digital avatars and virtual environments for Gothwerk Revelations, curated by Maggie Wong, in Hotwheelz Festival (Chicago, 2020), worked as the textile intern for The Icelandic Textile Centre (Blönduós, 2020), and was curated by Jordan Olivia Turk in An Archive of Feelings (Randolph, VT, 2019). His upcoming show Vestiges and Remains at Artcite (Windsor, ON, 2022) will explore the haunted temperature of archives, community memories and the ghosts of labour. He has exhibited in Canada, The United States of America and Iceland.
Notes from the Exhibition Programmer
“The concept behind the exhibition Vestiges and Remains, is to blur past/present/future, archives and fiction, in order to explore our understandings of memory and discover the nuances and perceptions of the histories that exist within creative spaces like Artcite Inc.. The exhibition traces the narratives of community formation, recalls how we form memories and engage with each other within art spaces through time. These shifts in public perception remind us that cultural centres are not fixed, but instead are always in flux. Archives are more than just records, they are emotive and in a process of becoming.”
- Morris Fox